New York City based graphic designer from Düsseldorf, Germany. Exploring typographical solutions and three-dimensional techniques. Currently working at Pentagram. Part of the multilocal curatorial collective thek.
Please feel free to get in touch. To stay up to date say hi here: @raoulgottschling.
sets sets sets
Typedesign + Website
New York City, 2019
http://sets.raoulgottschling.de is a platform to playfully showcase unfinished typefaces designed in 2019 and DJ sets recorded between 2015–2018 by PLANETZ (T—Wyn + Raoul Gottschling). The site was designed in collaboration with Marco Land.
sets sets sets
Typedesign + Website
New York City, 2019
http://sets.raoulgottschling.de is a platform to playfully showcase unfinished typefaces designed in 2019 and DJ sets recorded between 2015–2018 by PLANETZ (T—Wyn + Raoul Gottschling). The site was designed in collaboration with Marco Land.
sets sets sets
Typedesign + Website
New York City, 2019
http://sets.raoulgottschling.de is a platform to playfully showcase unfinished typefaces designed in 2019 and DJ sets recorded between 2015–2018 by PLANETZ (T—Wyn + Raoul Gottschling). The site was designed in collaboration with Marco Land.
sets sets sets
Typedesign + Website
New York City, 2019
http://sets.raoulgottschling.de is a platform to playfully showcase unfinished typefaces designed in 2019 and DJ sets recorded between 2015–2018 by PLANETZ (T—Wyn + Raoul Gottschling). The site was designed in collaboration with Marco Land.
sets sets sets
Typedesign + Website
New York City, 2019
http://sets.raoulgottschling.de is a platform to playfully showcase unfinished typefaces designed in 2019 and DJ sets recorded between 2015–2018 by PLANETZ (T—Wyn + Raoul Gottschling). The site was designed in collaboration with Marco Land.
sets sets sets
Typedesign + Website
New York City, 2019
http://sets.raoulgottschling.de is a platform to playfully showcase unfinished typefaces designed in 2019 and DJ sets recorded between 2015–2018 by PLANETZ (T—Wyn + Raoul Gottschling). The site was designed in collaboration with Marco Land.
sets sets sets
Typedesign + Website
New York City, 2019
http://sets.raoulgottschling.de is a platform to playfully showcase unfinished typefaces designed in 2019 and DJ sets recorded between 2015–2018 by PLANETZ (T—Wyn + Raoul Gottschling). The site was designed in collaboration with Marco Land.
sets sets sets
Typedesign + Website
New York City, 2019
http://sets.raoulgottschling.de is a platform to playfully showcase unfinished typefaces designed in 2019 and DJ sets recorded between 2015–2018 by PLANETZ (T—Wyn + Raoul Gottschling). The site was designed in collaboration with Marco Land.
Hello, Hóla, Ciao
Printed Invite
New York City, 2019
The invite for Giorgia Lupi’s welcome party at the Pentagram NYC office is a homage to her project “Friends in Space”. The varied ways people at the office say “hello” in their native language or local dialect are placed on the invitation according to the team member’s region of origin. 5 continents, 21 nations and 24 languages, printed on 700 gsm Color Crest Eggshell. Designed at Pentagram, New York.
Hello, Hóla, Ciao
Printed Invite
New York City, 2019
The invite for Giorgia Lupi’s welcome party at the Pentagram NYC office is a homage to her project “Friends in Space”. The varied ways people at the office say “hello” in their native language or local dialect are placed on the invitation according to the team member’s region of origin. 5 continents, 21 nations and 24 languages, printed on 700 gsm Color Crest Eggshell. Designed at Pentagram, New York.
Hello, Hóla, Ciao
Printed Invite
New York City, 2019
The invite for Giorgia Lupi’s welcome party at the Pentagram NYC office is a homage to her project “Friends in Space”. The varied ways people at the office say “hello” in their native language or local dialect are placed on the invitation according to the team member’s region of origin. 5 continents, 21 nations and 24 languages, printed on 700 gsm Color Crest Eggshell. Designed at Pentagram, New York.
Hello, Hóla, Ciao
Printed Invite
New York City, 2019
The invite for Giorgia Lupi’s welcome party at the Pentagram NYC office is a homage to her project “Friends in Space”. The varied ways people at the office say “hello” in their native language or local dialect are placed on the invitation according to the team member’s region of origin. 5 continents, 21 nations and 24 languages, printed on 700 gsm Color Crest Eggshell. Designed at Pentagram, New York.
The Diner
Visual Identity / Custom Typeface
New York City / Milan, 2018
To celebrate its 25th anniversary, Surface Magazine teamed up with 2x4 and architect David Rockwell to create The Diner, a pop-up experience based on the American diner, designed to showcase American design on the global stage during Milan Design Week 2018. A custom typeface is at the core of the identity. “American Optimism” is a contemporary take on neon typography. Combined with a contemporary grotesque it creates moments of tension between then and now, between objectivity and expressiveness. Designed at 2x4 New York.
The Diner
Visual Identity / Custom Typeface
New York City / Milan, 2018
To celebrate its 25th anniversary, Surface Magazine teamed up with 2x4 and architect David Rockwell to create The Diner, a pop-up experience based on the American diner, designed to showcase American design on the global stage during Milan Design Week 2018. A custom typeface is at the core of the identity. “American Optimism” is a contemporary take on neon typography. Combined with a contemporary grotesque it creates moments of tension between then and now, between objectivity and expressiveness. Designed at 2x4 New York.
The Diner
Visual Identity / Custom Typeface
New York City / Milan, 2018
To celebrate its 25th anniversary, Surface Magazine teamed up with 2x4 and architect David Rockwell to create The Diner, a pop-up experience based on the American diner, designed to showcase American design on the global stage during Milan Design Week 2018. A custom typeface is at the core of the identity. “American Optimism” is a contemporary take on neon typography. Combined with a contemporary grotesque it creates moments of tension between then and now, between objectivity and expressiveness. Designed at 2x4 New York.
The Diner
Visual Identity / Custom Typeface
New York City / Milan, 2018
To celebrate its 25th anniversary, Surface Magazine teamed up with 2x4 and architect David Rockwell to create The Diner, a pop-up experience based on the American diner, designed to showcase American design on the global stage during Milan Design Week 2018. A custom typeface is at the core of the identity. “American Optimism” is a contemporary take on neon typography. Combined with a contemporary grotesque it creates moments of tension between then and now, between objectivity and expressiveness. Designed at 2x4 New York.
The Diner
Visual Identity / Custom Typeface
New York City / Milan, 2018
To celebrate its 25th anniversary, Surface Magazine teamed up with 2x4 and architect David Rockwell to create The Diner, a pop-up experience based on the American diner, designed to showcase American design on the global stage during Milan Design Week 2018. A custom typeface is at the core of the identity. “American Optimism” is a contemporary take on neon typography. Combined with a contemporary grotesque it creates moments of tension between then and now, between objectivity and expressiveness. Designed at 2x4 New York.
The Diner
Visual Identity / Custom Typeface
New York City / Milan, 2018
To celebrate its 25th anniversary, Surface Magazine teamed up with 2x4 and architect David Rockwell to create The Diner, a pop-up experience based on the American diner, designed to showcase American design on the global stage during Milan Design Week 2018. A custom typeface is at the core of the identity. “American Optimism” is a contemporary take on neon typography. Combined with a contemporary grotesque it creates moments of tension between then and now, between objectivity and expressiveness. Designed at 2x4 New York.
Otto
Coloring Book
Düsseldorf, 2019
A collection of outlines and a selection of colors for the youngest member of the family. Two letters, playfully redrawn and repeated multiple times act as an introduction to more complex shapes.
Otto
Coloring Book
Düsseldorf, 2019
A collection of outlines and a selection of colors for the youngest member of the family. Two letters, playfully redrawn and repeated multiple times act as an introduction to more complex shapes.
Otto
Coloring Book
Düsseldorf, 2019
A collection of outlines and a selection of colors for the youngest member of the family. Two letters, playfully redrawn and repeated multiple times act as an introduction to more complex shapes.
Otto
Coloring Book
Düsseldorf, 2019
A collection of outlines and a selection of colors for the youngest member of the family. Two letters, playfully redrawn and repeated multiple times act as an introduction to more complex shapes.
Otto
Coloring Book
Düsseldorf, 2019
A collection of outlines and a selection of colors for the youngest member of the family. Two letters, playfully redrawn and repeated multiple times act as an introduction to more complex shapes.
Otto
Coloring Book
Düsseldorf, 2019
A collection of outlines and a selection of colors for the youngest member of the family. Two letters, playfully redrawn and repeated multiple times act as an introduction to more complex shapes.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
N1.52
Visual Identity
Düsseldorf, 2017
N1.52 is the workshop in which the students of the Department of Applied Art and Design of the Düsseldorf University of Applied Sciences create their work. It was also the title of their exhibition of final projects. Using 3D scanning technology, the room and people that work there become the main design element of the visual identity.
Objekt zur Grafik
Bachelor Thesis (Research and Design)
Düsseldorf, 2017
An in-depth look into the two 3D-scanning techniques that were used in creating the "N1.52" identity (sometimes in an alienated way). The book explains their functional principles, describes each work flow step by step and shows a catalog of 3D models that were generated in the process.
Objekt zur Grafik
Bachelor Thesis (Research and Design)
Düsseldorf, 2017
An in-depth look into the two 3D-scanning techniques that were used in creating the "N1.52" identity (sometimes in an alienated way). The book explains their functional principles, describes each work flow step by step and shows a catalog of 3D models that were generated in the process.
Objekt zur Grafik
Bachelor Thesis (Research and Design)
Düsseldorf, 2017
An in-depth look into the two 3D-scanning techniques that were used in creating the "N1.52" identity (sometimes in an alienated way). The book explains their functional principles, describes each work flow step by step and shows a catalog of 3D models that were generated in the process.
Objekt zur Grafik
Bachelor Thesis (Research and Design)
Düsseldorf, 2017
An in-depth look into the two 3D-scanning techniques that were used in creating the "N1.52" identity (sometimes in an alienated way). The book explains their functional principles, describes each work flow step by step and shows a catalog of 3D models that were generated in the process.
Objekt zur Grafik
Bachelor Thesis (Research and Design)
Düsseldorf, 2017
An in-depth look into the two 3D-scanning techniques that were used in creating the "N1.52" identity (sometimes in an alienated way). The book explains their functional principles, describes each work flow step by step and shows a catalog of 3D models that were generated in the process.
Objekt zur Grafik
Bachelor Thesis (Research and Design)
Düsseldorf, 2017
An in-depth look into the two 3D-scanning techniques that were used in creating the "N1.52" identity (sometimes in an alienated way). The book explains their functional principles, describes each work flow step by step and shows a catalog of 3D models that were generated in the process.
Objekt zur Grafik
Bachelor Thesis (Research and Design)
Düsseldorf, 2017
An in-depth look into the two 3D-scanning techniques that were used in creating the "N1.52" identity (sometimes in an alienated way). The book explains their functional principles, describes each work flow step by step and shows a catalog of 3D models that were generated in the process.
La Nord
Typeface and Specimen
Düsseldorf / Hossegor, 2016
Named after a beach at the coast of southern France, that is known both for its relentless surge as well as its fragile nature, the typeface captures these impressions in a set of 5×622 characters. La Nord is available on request.
La Nord
Typeface and Specimen
Düsseldorf / Hossegor, 2016
Named after a beach at the coast of southern France, that is known both for its relentless surge as well as its fragile nature, the typeface captures these impressions in a set of 5×527 characters. La Nord is available on request.
La Nord
Typeface and Specimen
Düsseldorf / Hossegor, 2016
Named after a beach at the coast of southern France, that is known both for its relentless surge as well as its fragile nature, the typeface captures these impressions in a set of 5×527 characters. La Nord is available on request.
La Nord
Typeface and Specimen
Düsseldorf / Hossegor, 2016
Named after a beach at the coast of southern France, that is known both for its relentless surge as well as its fragile nature, the typeface captures these impressions in a set of 5×527 characters. La Nord is available on request.
La Nord
Typeface and Specimen
Düsseldorf / Hossegor, 2016
Named after a beach at the coast of southern France, that is known both for its relentless surge as well as its fragile nature, the typeface captures these impressions in a set of 5×527 characters. La Nord is available on request.
La Nord
Typeface and Specimen
Düsseldorf / Hossegor, 2016
Named after a beach at the coast of southern France, that is known both for its relentless surge as well as its fragile nature, the typeface captures these impressions in a set of 5×527 characters. La Nord is available on request.
La Nord
Typeface and Specimen
Düsseldorf / Hossegor, 2016
Named after a beach at the coast of southern France, that is known both for its relentless surge as well as its fragile nature, the typeface captures these impressions in a set of 5×527 characters. La Nord is available on request.
La Nord
Typeface and Specimen
Düsseldorf / Hossegor, 2016
Named after a beach at the coast of southern France, that is known both for its relentless surge as well as its fragile nature, the typeface captures these impressions in a set of 5×527 characters. La Nord is available on request.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
____thek
Multidsciplinary Project
Düsseldorf, 2016 – Present
Visual identity, exhibition design, curation and event planning within different sub-cultural movements but most importantly a matter of heart. Founded in 2016, _____thek has become an important part of the cultural landscape of the city of Düsseldorf by offering spaces for exchange between young creatives. Visit www.t-h-e-k.com to learn more about the project and our past events. Established by Deniz Weber, with Lilly Elfriedes, Vera Fudim, Marco Land, Valerie-Siba Rousparast and Christof Schumacher.
Die Farben des Farblosen
Book (Research and Design)
Düsseldorf, 2016
The color of lightyears, the color of tension, the color of mirrors. "Die Farben des Farblosen" (The colors of the colorless) is a book about phenomena in different fields of physics –from mechanics to astronomy– that result in colorful events.
Die Farben des Farblosen
Book (Research and Design)
Düsseldorf, 2016
The color of lightyears, the color of tension, the color of mirrors. "Die Farben des Farblosen" (The colors of the colorless) is a book about phenomena in different fields of physics –from mechanics to astronomy– that result in colorful events.
Die Farben des Farblosen
Book (Research and Design)
Düsseldorf, 2016
The color of lightyears, the color of tension, the color of mirrors. "Die Farben des Farblosen" (The colors of the colorless) is a book about phenomena in different fields of physics –from mechanics to astronomy– that result in colorful events.
Die Farben des Farblosen
Book (Research and Design)
Düsseldorf, 2016
The color of lightyears, the color of tension, the color of mirrors. "Die Farben des Farblosen" (The colors of the colorless) is a book about phenomena in different fields of physics –from mechanics to astronomy– that result in colorful events.
Die Farben des Farblosen
Book (Research and Design)
Düsseldorf, 2016
The color of lightyears, the color of tension, the color of mirrors. "Die Farben des Farblosen" (The colors of the colorless) is a book about phenomena in different fields of physics –from mechanics to astronomy– that result in colorful events.
Die Farben des Farblosen
Book (Research and Design)
Düsseldorf, 2016
The color of lightyears, the color of tension, the color of mirrors. "Die Farben des Farblosen" (The colors of the colorless) is a book about phenomena in different fields of physics –from mechanics to astronomy– that result in colorful events.
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
HSD Graduation Event 2017
Visual Identity
Düsseldorf, 2016 / 2017
Cold sweat and tears of joy, the two main bodily fluids affiliated with graduating from design school were the motto of the event as well as the key design element of its identity. In cooperation with Tobias Hönow
Der Superromkomplex
Typographic Work
Stuttgart / Berlin, 2016
How do things emerge? Why are you here? In 2015, designer Andreas Uebele and Artist Karin Sander asked those questions to the scholars of the Germany Academy in Rome. Fragments of their answers were put into a typographic form and carefully distributed across a room at the Martin-Gropius-Bau in Berlin as part of the academy's annual exhibition. Designed at büro uebele.
Der Superromkomplex
Typographic Work
Stuttgart / Berlin, 2016
How do things emerge? Why are you here? In 2015, designer Andreas Uebele and Artist Karin Sander asked those questions to the scholars of the Germany Academy in Rome. Fragments of their answers were put into a typographic form and carefully distributed across a room at the Martin-Gropius-Bau in Berlin as part of the academy's annual exhibition. Designed at büro uebele.
Der Superromkomplex
Typographic Work
Stuttgart / Berlin, 2016
How do things emerge? Why are you here? In 2015, designer Andreas Uebele and Artist Karin Sander asked those questions to the scholars of the Germany Academy in Rome. Fragments of their answers were put into a typographic form and carefully distributed across a room at the Martin-Gropius-Bau in Berlin as part of the academy's annual exhibition. Designed at büro uebele.
Der Superromkomplex
Typographic Work
Stuttgart / Berlin, 2016
How do things emerge? Why are you here? In 2015, designer Andreas Uebele and Artist Karin Sander asked those questions to the scholars of the Germany Academy in Rome. Fragments of their answers were put into a typographic form and carefully distributed across a room at the Martin-Gropius-Bau in Berlin as part of the academy's annual exhibition. Designed at büro uebele.
178×84
CGI Illustration
Düsseldorf, 2018
178×84 is a billboard project curated by Deniz Weber, it is located outside the ROOOOOM workspace. Based on a 3D Model of the space, that was generated from memory, the illustration acts as a surreal interpretation of ROOOOOM and the processes that take place there instead of accurately depicting it.
178×84
CGI Illustration
Düsseldorf, 2018
178×84 is a billboard project curated by Deniz Weber, it is located outside the ROOOOOM workspace. Based on a 3D Model of the space, that was generated from memory, the illustration acts as a surreal interpretation of ROOOOOM and the processes that take place there instead of accurately depicting it.
178×84
CGI Illustration
Düsseldorf, 2018
178×84 is a billboard project curated by Deniz Weber, it is located outside the ROOOOOM workspace. Based on a 3D Model of the space, that was generated from memory, the illustration acts as a surreal interpretation of ROOOOOM and the processes that take place there instead of accurately depicting it.
178×84
CGI Illustration
Düsseldorf, 2018
178×84 is a billboard project curated by Deniz Weber, it is located outside the ROOOOOM workspace. Based on a 3D Model of the space, that was generated from memory, the illustration acts as a surreal interpretation of ROOOOOM and the processes that take place there instead of accurately depicting it.
Werkschau (Exhibition of Final Projects)
Visual Identity / Signage
Düsseldorf, 2018
The University of Applied Sciences is large and hard to navigate. High contrast banners and signs enable graduates to lead visitors to where their final projects are shown.
Werkschau (Exhibition of Final Projects)
Visual Identity / Signage
Düsseldorf, 2018
The University of Applied Sciences is large and hard to navigate. High contrast banners and signs enable graduates to lead visitors to where their final projects are shown.
Werkschau (Exhibition of Final Projects)
Visual Identity / Signage
Düsseldorf, 2018
The University of Applied Sciences is large and hard to navigate. High contrast banners and signs enable graduates to lead visitors to where their final projects are shown.
Werkschau (Exhibition of Final Projects)
Visual Identity / Signage
Düsseldorf, 2018
The University of Applied Sciences is large and hard to navigate. High contrast banners and signs enable graduates to lead visitors to where their final projects are shown.
Werkschau (Exhibition of Final Projects)
Visual Identity / Signage
Düsseldorf, 2018
The University of Applied Sciences is large and hard to navigate. High contrast banners and signs enable graduates to lead visitors to where their final projects are shown.
Werkschau (Exhibition of Final Projects)
Visual Identity / Signage
Düsseldorf, 2018
The University of Applied Sciences is large and hard to navigate. High contrast banners and signs enable graduates to lead visitors to where their final projects are shown.
Werkschau (Exhibition of Final Projects)
Visual Identity / Signage
Düsseldorf, 2018
The University of Applied Sciences is large and hard to navigate. High contrast banners and signs enable graduates to lead visitors to where their final projects are shown.
3D Pioneers Challenge
Visual Identity
Stuttgart, 2015
The 3D Pioneers Challenge is a competition for additive and rapid manufacturing – the intersection between two-dimensional design worflows and the three-dimensional reality of our world. The logo as well as the typographical system lie somewhere in between those dimensions. Designed at büro uebele.
3D Pioneers Challenge
Visual Identity
Stuttgart, 2015
The 3D Pioneers Challenge is a competition for additive and rapid manufacturing – the intersection between two-dimensional design worflows and the three-dimensional reality of our world. The logo as well as the typographical system lie somewhere in between those dimensions. Designed at büro uebele.
3D Pioneers Challenge
Visual Identity
Stuttgart, 2015
The 3D Pioneers Challenge is a competition for additive and rapid manufacturing – the intersection between two-dimensional design worflows and the three-dimensional reality of our world. The logo as well as the typographical system lie somewhere in between those dimensions. Designed at büro uebele.